पृष्ठम्:कादम्बरी-उत्तरभागः(पि.वि. काणे)१९१३.djvu/२७६

2B6 NOTES ON तरुवल्कवाससां प्रयताः संयमिनां प्रपेदिरे ॥see also रघु० III. 10. मुनिवनतरु च्छायां देव्या तया सह शिश्रिये गलितवयसामिक्ष्वाकूणामिदं हि कुलव्रतम् । refers to मनोरथ. अस्य अग्रतः प्रतिरोधकः %hat opposes the (fullment of) ny desire by standing in front of it, मन्ये..अनेन (मनोरथेन) I am afraid that that desire of mine is not destined to be ful. filled. अन्यथा otherwise (if my desire were destined to be ful filled). क वैशम्पायनः। क...The two s show the extreme incongrui. ty of the two things. The acts of वैशम्पायन ( iu staying away without permission were entirely out of keeping with his nature and habits. ‘दौ क्ौ महदन्तरं सूचयतः . विपरिवर्तते turns or revolves. उत्तानितेनैव मुखेन–-his face was slightly raised in order that he may have a full view of चन्द्रापीड, सम्पीडितं हृदयमिव ताम्बूलम् the ताम्बूल which seemed to be his (तारापीडs) heart squeezed into a mass. P. 57 ॥ 3-18 चन्द्रापीडस्तु-.नगर्याःपितुः संभावनया by the regard shown to him by his father. उन्नमितः raised to a high position. The contrast is between ble literal meaning उन्नमितः raised high) and अवनम्रतरमूर्तिः ( with his body bent in re ( verence before his father ). परीतम्-surrounded by, engrossed in. उन्मुक्त...शरीरम्whose body was void (of action) as if his organs of sanse had left it, अविरत..मुखीं whose face was sullied by the constant shedding of tears. अविरतेन अश्रुपातेन उपहतं मुखं यस्याः. तादृशाभ्याम् who were in that (wretched) condition. संभाव्याशिपा being honoured with a blessing (by them ). समारोप...गतः who was followed by them who as if transferred the burden of their sorrow to him. निवर्तनाय..निर्गतेः who again and again turned round his face in order to induce them to go back till he went out of the gato, शुकनास and मनोरमा followed him a long way. In order to induce them to return to their houses, he turned round his face and told them to go. This continued till he went out of the city-gate. ढौकितमपि this and the following accusatives up to दीनम् qualify इन्द्रायुधम्, अग्रतो..सर्पणम् who moved away though he was brought forward. कृतं अपसर्पणं येन. अप्रकृत रवम् who did not begin to neigh ( with joy, as usual), न प्रकृतः आरब्धः हेषारवः येन. अनुत्कर्ण...दीनम् who did up his ears not raise as horses do when delighted ), whose neighimg was not plea. Eantwho had no mind (to start ), who did not manifest his readiness to g०, and who looked sad. The horse इन्द्रायुध (bhat was the sage कपिञ्जल labouring under a curse as we shall know later on ) manifested in all these ways that चन्द्रापीड shoul not start, as his journey was to end in his (चन्द्रा's ) death. being afraid of being prevented from going (by