"पृष्ठम्:वैराग्यशतकम्.djvu/५२" इत्यस्य संस्करणे भेदः

{{rh|left=46|center=THE VAIRAGYA-ŚATAKAM}}

society, delightful the narratives in poetical litera

ture, and delightful the face of the beloved

swimming in the tear-drops of ( feigned ) anger .

Everything is charming, but nothing is so when

the mind is possessed by the evanescence of things.

{{block center|<poem>रम्यं हयंतलं न कि वसतये श्रव्यं न गेयादिकं

::कि वा प्राणसमासमगममुखं नैवधिकप्रीतये ।

कितु भ्रान्तपतङ्गयक्षपवनव्यालोलदीपाङ्करः

::च्छायाचञ्चलमाकलय्य सकलं सन्तो वनान्तं गताः ।। ८० ।।</poem>}}

{{gap}}80. Is not a palace pleasant to dwell in ? Is

not music with its accompaniments agreeable to

listen to? Is not the society of women, dear as life

itself, very pleasing ? Yet, wise men have gone

away to the forest, regarding these things as un

stable as the shadow of a lamp's filame flickering

through the puf of the wings of a deluded moth

{{gap}}[ शान्त also has the meaning of hovering.' ]

{{block center|<poem>आसंसारात्त्रिभुवनमिदं चिन्वतां तात ताद्

::हुनेवास्माकं नयनपदवीं श्रोत्रमार्ग” गतो बा ।

योऽयं धत्ते विषयकरिणीगाढणूढाभिमानः

::क्षीबस्यान्तकरणकारिणः संयमानायलीलाम् ॥ ८१ ॥</poem>}}

{{gap}}81. Oh dear ! in our quest through the three

none such has come within sight or hearing, that