"पृष्ठम्:विक्रमोर्वशीयम् (कल्पलताव्याख्यासमेतम्).djvu/६९" इत्यस्य संस्करणे भेदः
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पुटस्थितिः | पुटस्थितिः | ||
- | + | पुष्टितम् | |
पुटाङ्गम् (उपयोगार्थम्) : | पुटाङ्गम् (उपयोगार्थम्) : | ||
पङ्क्तिः ३: | पङ्क्तिः ३: | ||
the main topic of the play, through the lower characters |
the main topic of the play, through the lower characters |
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alone. (iii)'''चूलिका''' the suggestion of some event from behind |
alone. (iii)'''चूलिका''' the suggestion of some event from behind |
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the curtain. (iv) |
the curtain. (iv) अङ्कावतार hints the subject-matter of the |
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following act, and forms the final scene of the previous act. |
following act, and forms the final scene of the previous act. |
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(v) '''अङ्कमुख''' which suggests the substance of all the rest of the |
(v) '''अङ्कमुख''' which suggests the substance of all the rest of the |
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पङ्क्तिः १५: | पङ्क्तिः १५: | ||
only, and '''अपवारित''' which consists in giving out some secret |
only, and '''अपवारित''' which consists in giving out some secret |
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in a way concealed from others. To add to these, there is |
in a way concealed from others. To add to these, there is |
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one, known as ''' |
one, known as '''आकाशभाषित''' or speech from the void or a place |
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above or unknown. |
above or unknown. |
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पङ्क्तिः ३७: | पङ्क्तिः ३७: | ||
{{gap}}Among erotic heroes, each of these may again be of |
{{gap}}Among erotic heroes, each of these may again be of |
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four kinds: '''दक्षिण='''showing equal devotion to many women, |
four kinds: '''दक्षिण='''showing equal devotion to many women, |
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though principally attached to one: i. e. gallant; |
though principally attached to one: i. e. gallant; शठ= who |
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remains attached to one, even at the cost of the displeasure |
remains attached to one, even at the cost of the displeasure |
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of the other; i. e. sly; '''धृष्ट''' - professing his love to one, and |
of the other; i. e. sly; '''धृष्ट''' - professing his love to one, and |