"पृष्ठम्:विक्रमोर्वशीयम् (कल्पलताव्याख्यासमेतम्).djvu/६९" इत्यस्य संस्करणे भेदः

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पुटस्थितिःपुटस्थितिः
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परिष्कृतम्
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पुष्टितम्
पुटाङ्गम् (उपयोगार्थम्) :पुटाङ्गम् (उपयोगार्थम्) :
पङ्क्तिः ३: पङ्क्तिः ३:
the main topic of the play, through the lower characters
the main topic of the play, through the lower characters
alone. (iii)'''चूलिका''' the suggestion of some event from behind
alone. (iii)'''चूलिका''' the suggestion of some event from behind
the curtain. (iv) अङ्कावरार hints the subject-matter of the
the curtain. (iv) अङ्कावतार hints the subject-matter of the
following act, and forms the final scene of the previous act.
following act, and forms the final scene of the previous act.
(v) '''अङ्कमुख''' which suggests the substance of all the rest of the
(v) '''अङ्कमुख''' which suggests the substance of all the rest of the
पङ्क्तिः १५: पङ्क्तिः १५:
only, and '''अपवारित''' which consists in giving out some secret
only, and '''अपवारित''' which consists in giving out some secret
in a way concealed from others. To add to these, there is
in a way concealed from others. To add to these, there is
one, known as '''आकाशभाशित''' or speech from the void or a place
one, known as '''आकाशभाषित''' or speech from the void or a place
above or unknown.
above or unknown.


पङ्क्तिः ३७: पङ्क्तिः ३७:
{{gap}}Among erotic heroes, each of these may again be of
{{gap}}Among erotic heroes, each of these may again be of
four kinds: '''दक्षिण='''showing equal devotion to many women,
four kinds: '''दक्षिण='''showing equal devotion to many women,
though principally attached to one: i. e. gallant; श्ठ= who
though principally attached to one: i. e. gallant; शठ= who
remains attached to one, even at the cost of the displeasure
remains attached to one, even at the cost of the displeasure
of the other; i. e. sly; '''धृष्ट''' - professing his love to one, and
of the other; i. e. sly; '''धृष्ट''' - professing his love to one, and