霍温 i in thirty chapters ending with Taladhyāya. }r less each. The work deals with music in a treats of only Gita and Dhrtas of various e Bharata, Yãșțika, and Jagadekamalla. The ace he says :--- एकनाडीपरिज्ञानें शुद्धद्रमिडभाषया । The $vapratlipa) [3huvanānanda was a Maithila. pa is a title of the book consisting of several hqitaloka. It consists of 2600 Slokas. The with Rägas; the third Tāla; the fourth Gita ; as. He quotes the following writers : – वायुर्नारदकम्बलाश्वतरवद्विश्वावसुः केश्यपः । ति: श्रीभरतोऽथ याष्टिकदशग्रीवोद्भटा लेोल्लटः । हकमातृगुभा: ! त्याखिले जगति पल्लवयां बभूवुः ॥ " f Abhimayabhāsana which consists of about ngal, Telińgana. The book is accompanied new and has nothing to do with the school ood. The work begins with the definitions nda, Brhaspati, Kohala, Durvāsas, Arjuna, He gives the musical description of NakshaVirabhallatá who flourished in the court of naya for every part of the body. oric." The work is called Alañkārasangraha. 3xtends over one hundred to one hundred and is date is questionable. He might have lived He probably lived under the suzerainty of the ańgita work the name of which is not known. lokas of the work is alone available. He was ån, Kīrtidhara, Kohala, Abhinavagupta and This Siâgana may be an early writer. He the chapter on Drsti he gives details from la and six seasons are described well. At the of subjects. He includes Calakas, Deši, ese chapters are new to several writers. After ‘a as Anahgāngamotanam, Digvarşābhidham hemarāja, which shows that Kshema wrote lupus were taken from Kohala and they are er Sthitapathya, he gives a Prikr verse. पठेअकृतं चेस्थितपठवं नदींदिनम् ॥" Kumbhakarna. At the end of the work ho Khadyakalūsą, Bakalrulisa, Plarakaläsa. jita scholars assembled from all directions galled Kadam, between the Jamuna and the in Saúgita which he acquired in his conquests ive work based upon his material without tk serves as a milestone to measure the age jite of their tendency to destroy the holy leir fine arts, especially musie and poetry, first three or four emperors are marked with the ancient arts of the Hindus to such a y adopted Hindu religion and art, During rs were still the Hindas and in several cases influence of the Hindu service was brought luxury. But till the Moghul Empire formed Tuired the country by intrepedity, cruelty and sures of art and literature more than their ately, Sometimes even without a blow. Evên ery guided their policy and fortunes. The ndian politicians call it ‘the law of the fish' ind confusion in the political world there are who had glorified the Indian fine arts, and icence and display of luxury. Ghiazuddin berally entertained the literary, and musical elugu writer, that his father was honoured 1 for demonstrating the twenty-two srutisin , Mandana wrote his Sahitamundana. The ultan who had only a passing notice in the लो माण्टर्वीं महमनुगश्रयजुर्दीम् सुरत्राणमेश्य । अग्र्यैर्विशतिोऽभूदेिति यक्नपतिनरिबूयंशके ļi 'वं खरयुमबिमेदप्रक्टनम् । दिाद्दशशततुलं खर्णमतुलम्॥ ue of } athan Mas, Gacktend series}.
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