rii , Dešānrttan'nava are independent works or n be ascertained only by further discoveries of names of works are used as yoga and in others ted as different works e. g. Sañgitarnava and tratnākara are separate treatises. Mādhavabhaffa, a resident of Benares. It is a nerates the three grâmas as mandyāvarta and system. King Raghunatha mentions this wa's work is found in the Tanjore Library. It name is available everywhere but it is the r his son Ananta was the tutor of Veda to the der the patronage of Šahăjī, father of Šivājī. ection must be an earlier production. A work other it forms the Nātya section of Sangitadar to in Tālābdhi and Tālaratnākara. There is bly its translation. or its commentary was written by Rāya y. The commentary was composed to please a fferent works of this name written by different nant forces of Kākatiya Ganapati of Warangal me about 1240 A. D. Somarājadeva, the prahilapatak is another author of the work of the t chapters and the latter nine sections. Somaamily who defeated Amir (of Sind). Somaräja. is work consists of 1,000 granthas and may be ari mentions him with honour thus: “prokta rāja was commander under both Ajayapāla. author of Sangitasudhākara ruled for four Jayasenapati mentioned above. It is divided |g treated separately in four chapters. It was don). “ Dasiyanrttajaladheh ” ( Vēmabhūpāla), Deši-iirtealey referred to pāda-patáh (foot-poses). - (क्षणसौविदः पररिस्कन्धच्छिदाशेतििदः । । श्री मद्भोमनृपस्य तेन तदिदं द्वाःस्थेन शात्रं कृतम् । n Ganapati was reigning in Warangal.' It is navagupta and Kirtidhara for mârga type and s the Citra Gondali dance to the aesthetic bout it and no reference to it is found in any composed the work and what portions of mrtya, opies available give us three different commenıtegories in music proper. In two of the comof hand) was lost and it was apparently restored muscript was copied then. If only one šloka und the name of the book is quite appropriate. viation for Saiyilamuktāvaļi. There aro many nd the other by Devendrabhatta; copies of ry. Devendra quotes from Devana's work ... D. under the patronage of a Karnātaking, f the scholars at the courts of the Andhra, walior. In the evolution of Pūrvarañga of the exhibiton of a drama great modifications A. D., quite a modern system of combination into vogue and the oldest description of it the Sahgitadarpana of Dāmodara and after. ra was a profound scholar in grammar, logic, pinions of Scholars of the Andhra and Karnāta. m the two books named. नेषु वर्षेषु भूतबाणाग्निसागरै: ॥ क्लयोल्लासियशःप्रलेयरोविर्षि | राजेऽस्मिन् गणपत्यवनीश्वरे । ो वर्तते लोके सास्माभिः कथ्यते स्फुटम् | especialsy sangita and probably as at author too. Hammira : In saligita and tâtya). | || विीशश्च जयसिंहृादयो नृपाः । तुकी कांचिद् मिल्लवेषमुपेयुषीन् ॥ ो मिर्भितवान् चित्रगोण्डलीविाधमित्ययम्॥
- सभासमागतबुधश्रेणीभिरभ्यर्हितः । |ाहर्निशमाश्रये पदयुगं विद्यावतां प्रीतये ॥ qĦĠETŲ ältiftsti Fi stg || Gopichala is Gwalio. द्रमिडान्ध्राणां नटानां क्रमकर्मणाम् ।
