摄 s a Kashmirian Philosopher of Pratyabhijñ& s expression is highly refractory and often nterpreting it, has saved both Aesthetics and iestal of thought. Bhoja, of the same age as ght and expression and the world of Aesthetics we are in, yet transports our soul to the most in 36 sections reveals the two components, far easier than Bharata's production. Bhoja he 3rd or 4th century A. D. He is well versed In his Hastābhimaya he names 16 kinds which His work is not available. He lived about omprising several treatises on various subjects, its (Alaskāra). hor of Bharatārņava. But from the work ter than the lith century A. D. The work 00 verses. The author seems to have written iisana which reads very different from the ought between this Nandin and Haripäla, a atärnava must have been lost and the present rati as the author of Bharatärthacandrikā – । नानार्थह्मतमुद्रा सुमते बहुधाऽस्ति तेन संक्षिप्तम् । it is incomplete and what is given here is not 3out 500 A. D. or even earlier. His definitions {i, a work on music consisting of 8 chapters lived about 850 A. D. He introduced Dvādainued for tw0 centuries. In dramaturgy he | into three kinds. mtiomed by the commentator Abhinavagupta såstra. Vema calls him a king. He is largely 2ems to have been a great authority on the Music. His work is lost. He must have deva, king of Magadha, next deserves our to be a Rāşīrakūša Scion of Karmăţa kings. a's work is unfortunately a fraction of his granthas) on music and instruments (Vadya) empt at correction must result in producing a a (Gujarat), one, a king and the other, the ila, the king, lived about 1175 A. D. probably a few years later at Srirañgam on the Kāveri 3m Sangitalcalpataru which is a work of it. Kaipadruma has a commentary on it, 1300 A. D. during conquest of Bengal and sm. It is to that Hindu king that the work is atāpa hail from the imperial rulers of the ina. Someşvara's father, Tribhuvanamalla or as of Bilhana, also wrote a Sañgita work chapters on Gita, Vādya and Nrtta form a nami. He wrote besides it the Vikramānkāes. His musical chapters form a beautiful re1 original strokes everywhere. Being nota Vaiof Bharata and his followers. He has explained He is frequently quoted as an authority later writers. His work extends over 1600 adekamalla ruled, from 1134-43 and wrote for several centuries. Only sections I, II, V here is a work in Malabar called Săra which dditions. Pārśvadeva, later by two centuries, his work seemingly as his own. nsists of nine small chapters. The work was an Sangitaratnākara. Bharata, Vādimattaańgitaratnävali. This author is a powerful is many important points. The sirst chapter Svara and Gramas, the third with Prabandha. ber. The fifth chapter deals with Deši Rägas; and ninth deal with Vadya, The work
- । आशीर्वचांसि नमतां दधान इव गणपतिर्जयति ॥ "
न्द्रो नक्चन्द्रनिर्मलगुणस्फूर्जकलनैपुणः । द्वन्मण्डलमण्डलाय तनुते सङ्गीतरलावलीम् । '
