पृष्ठम्:वैराग्यशतकम्.djvu/३१

एतत् पृष्ठम् परिष्कृतम् अस्ति
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OR THE HUNDRED VERSES ON RENUNCIATION


(i.e. their positions) appear like particles of grass Do not, oh Sudhu, set your heart on any ephemeral enjoyment other than that.

स नम्या नगरी महान्स नृपतिः सामन्तचक्रं च त-
पार्श्वे तस्य च सा विदग्धपरिषक्त्ताश्चन्द्रविम्बाननाः।
उद्वृत्तः स च राजपुत्रनिवहस्ते बन्दिनस्ताः कथाः
सर्वं यस्य वशादगात् स्मृतिपथं कालाव तस्मै नमः ॥ ४१ ॥

 41. That lovely city, that grand monarch, and that circle of feudatory Kings at his side, that cabinet of shrewd counsellors of his and those beauties with moon-like faces, that group of wayward princes, those court-minstrels and their songs of praise--under whose power all this fleeted away and became objects of memory, to that Kala (time or the principle of charge) salutation ! [उद्वृत्त -Another reading is उद्रिक्त which means haughty'.]

यत्रानेकः क्वचिदपि गृहे तत्र तिंस्ट्यथैको
यत्राप्येकस्तदनु बहवस्तत्र नैकोऽपि चान्ते
इत्थं नेयौ रजनिदिवसौ लोलयन् द्वाविवाक्षौ
कालः कल्यो भुधनफलके . क्रीडति प्राणिशरैः ॥४२॥

 42. Where in some home (or, a square in the case of a checkerboard) there once were many, there is now one, and where there was one or many successively, there is zone at the end (of