nouns and adjectives as also between verbs and the karakas, which is nece- ssary for understanding the meaning of a sentence. Some Mimamsakas and Logicians hold that samsarga itself is the meaning of a sentence. The syntactical relation between two words is described to be of two kinds अभेद-संसर्ग of the type of आधाराधेयभाव and भेदसंसर्ग of the type of विषयविषयिभाव, समवाय, जन्यजनकभाव and the like. संसृष्ट words syntactically connected with each other, and hence, cap- able of expressing the sense of a sentence; cf. संसृष्टो वाक्यार्थः Vakya- padiya II. 2. संसृष्टवादिपक्ष the theory, that the meaning of a sentence is a novel thing ( अपूर्व ), held by some Mima- msakas who believe that words connected with activity display their phenomenal capacity ( अनुभा- विकाशक्ति ) after the recalling of the senses of words by the recalling capacity (स्मारिकाशाक्ति ). संस्कार (1)preparation such as (a)that of a word by placing the affix after the base and accomplishing all the necessary changes, or (b) that of a sentence by placing all words connec- ted mutually by syntax and then explaining their formation; these two views are respectively called the पदसंस्कारपक्ष and the वाक्यसंस्कारपक्ष; (2) grammatical formation; cf. स्वरसंस्कारयोश्छन्दसि नियम: । संस्कारो लोपागमवर्णविकारप्रकृतिभावलक्षणः Uvvata on V.Pr. I.1; cf. also तद्यत्र स्वरसंस्कारौ प्रादेशिकेन गुणेन अन्वितौ स्याताम् etc. Nir.I. संस्कृतमञ्जरी a short handbook on declension and case-relations written by a grammarian named Sadhusundara, who lived in the beginning of the eighteenth |
century. संस्पृष्ट lit. formed by combination or compact; the term is used in the Pratisakhyas for diphthongs which are combinations, in fact, of two vowels which are completely mixed being produced with a single effort. The diphthongs and ऋ also, are called संस्पृष्टवर्ण. संस्वाद a peculiar phonetic element described along with another one named निगार both of which have got no definite place of utterance in the mouth; cf. अविशेषस्थानौ संस्वादानगारौ । पकारनकारयकाराः वा संस्वादे । हकारमकारना. सिक्या वा निगारे । com. on R.T.11. संस्वार a combination or collection of the Svaras or musical notes for purposes of singing the Sama hymns. संहत a tone in which two or more accents or tones are mixed up with one another, cf. Bharadvaja Siksa. संहार unnecessary contraction of the place (स्थान)as also of the instrument ( करण ), which results into a fault of utterance called पीडन; cf. विहार- संहायोर्व्यासपींडने R. Pr.XIV.2. संहिता position of words or parts of words in the formation of a word quite near each other which results into the natural phonetic coale- scence of the preceding and the following letters. Originally when the Vedic hymns or the running prose passages of the Yajur- veda were split up into their different constituent parts namely the words or padas by the Padakaras, the word संहिता or संहितापाठ came into use as contrast- ed with the पदपाठ. The writers of of the Pratisakhyas have consegu- ently defined संहिता as पदप्रकृतिः संहिता, while Panini who further split up |
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