"पृष्ठम्:कप्फिणाभ्युदयं महाकाव्यम्.pdf/१५" इत्यस्य संस्करणे भेदः

{{c|( 2 ) }}

{{gap}}{{gap}}{{gap}}{{gap}}{{gap}}{{gap}}{{gap}}{{gap}}{{gap}}Pages <br/>

7. THE AUTHOR{{gap}}{{gap}}{{gap}}{{gap}}{{gap}}{{gap}} xxxviii <br/>

{{gap}}i. His name{{gap}}{{gap}}{{gap}}{{gap}}{{gap}}{{gap}} xxxviii <br/>

{{gap}}ti.His motive in writing the poem{{gap}}{{gap}}{{gap}} xxxix <br/>

8. THENAM KAPPHINA {{gap}}{{gap}}{{gap}}{{gap}}{{gap}} xl <br/> ...

9. SİVASVIMIN AND BUDDHISM{{gap}}{{gap}}{{gap}}{{gap} xliii <br/>

{{gap}}{{gap}}i. Buddhist terms occuring in the poem{{gap}} xiv <br/>

10: DID SĪVASVIMIN WRITE ANY OTHER WORK<br/>

{{gap}}{{gap}}BESIDES THE KAPPHINABRYUDAYA?{{gap}}xlvi <br/>

11. HIS CONTEMPRORIES{gap}}{{gap}}{{gap}}{{gap}}{{gap}}xlvii <br/>

12. IMPORTANCE OF SIVASVAMIN'S WORK <br/>

{{gap}}{{gap}} a resume{{gap}}{{gap}}{{gap}}{{gap}}{{gap}} xlix <br/>

13. SIVASVAMIN AND RATNAKARA AND THEIR<br/>

{{gap}}{{gap}}PREDECESSORS{{gap}}{{gap}}{{gap}}{{gap}}l <br/>

{{gap}}{{gap}}A comparative analysis of the scheme of the<br/>

{{gap}}{{gap}}{Haravijaya and the Rapphinabhyudaya ll <br/>

ii. The Haruvijaya, Nigha, , and the Kapphina<br/>

{{gap}}{{gap}}bhyudaya {{gap}}{{gap}}{{gap}}{{gap}}{{gap}}liii <br/>

14.STYLE OF SİVASYÄMIN ANDHIS THOUGHT{{gap}}lix <br/>

15. HIS GANGUAGE &ND METRE {{gap}}{{gap}}{{gap}}lxix <br/>

{{gap}}{{gap}}i.Table showing the frequency of metres in<br/>

{{gap}}{{gap}}different cantos{{gap}}{{gap}}{{gap}}{{gap}} lxxi <br/>

ii. Cboisest expressions ia Arthantaranyasa and<br/>

{{gap}}{{gap}}other good sayings{{gap}}{{gap}}{{gap}} lxxiv <br/>

iii.Prakrit used by Šivasvanie{{gap}}{{gap}}{{gap}}{{gap}}lxxvii <br/>

iv. A list of fragmentary and obscura stanzas{{gap}} lxxviii <br/>

18. CONCLUSION AND ACKNOWLEDGEMENTS . lxxxi <br/>.

17. SANSKRITSUMMARY OFTHE INTRODUCTION lxxxi <br/>

-18, TEXT{{gap}}{{gap}}{{gap}}{{gap}}{{gap}}{{gap}} 1-156 <br/>

19. THE CITRA-KAVYA FIGURES ILLUSTRATED 157 <br/>

20.PRATÍKA INDEX{{gap}}{{gap}}{{gap}}{{gap}}{{gap}}i-xv <br/>

21. BIBLIOGRAPHY{{gap}}{{gap}}{{gap}}{{gap}}{{gap}} xvi-xviii <br/>

{{rule|5em}}